Towards a’New’ Sonic Ecology.” Inaugural lecture, Leiden University (2016).

Dialogue on Improvisation, Composition, and Performance: On Singularity, Complexity, and Context.” (co-author R. Costa). Revista Música 15/1, 2015.

Reflexiones sobre entornos sonorous.” (co-author V. Meelberg, trans. Iván Ordóñez). (2013)

“Towards a Material Spirituality (and Beyond)”. Die Tonkunst Heft 4 (2012)

Reflections on Sonic Environments.” (co-author V. Meelberg). Journal of Sonic Studies 1/1 (2011).

The Field of Musical Improvisation.” Konturen: Interdisciplinary Journal for German Cultural Analysis 2 (2009).

Defending the Uncanny. On the Postmodern, the Art World, and the Turn towards Complexity.” http://integralworld.net (2009).

Introduction.New Sound 32 (2008): pp. 5-7.

Improvisation. An Annotated Inventory.” New Sound 32 (2008): pp. 9-22.

Improvisation: Between the Musical and the Social.Dutch Journal of Music Theory 13/1 (2008): pp. 48-55.

Het “Grote Luisteren” ontluisterd. Unpublished text (2007).

Music and Spirituality – 13 Meditations Around George Crumbs Black AngelsCR: The New Centennial Review, 7.1 (2007): pp. 181-211.

The Trojan Horse. Epistemological Explorations Concerning Practice Based Research.” Dutch Journal of Music Theory 12/1 (2007): pp. 18-33.

In(-)formations. The Meaning of Paratextual Elements in Debussy’s Syrinx.”Musicological Annual volume XLI/2 (2005): pp. 55-70.

Noise and Ethics: Alain Badiou and Evan Parker.” Culture, Theory and Critique 46 (1) (2005): pp. 29-42.

Ethics and/in/as Silence.” Ephemera 3/4 (2003).

“De ethiek van jazz” [The Ethics of Jazz]. Nederlandse Jazzdienst (2003).

Between Self and Other – A Deconstructive Sea.” http://www.zeenaparkins.com (2003).

“John Zorn’s muziek bestaat niet” [John Zorn’s Music Doesn’t Exist]. Holland Festival Program (2003): pp. 1-2.

Music and Deconstruction. The Jacques Derrida – Gerd Zacher Encounter.” New Sound 21 (2003): pp. 45-55.

Creativity and Ethics – in Deconstruction – in Music. Intermezzo.” (co-author G. Finn). Echo 4.2. (2002).

Seven Times Around a Future of Musicology. Seven Times Around Music and EthicsDutch Journal of Music Theory 7/3 (2002): pp. 159-164.

“Verkenningen van/in een muzikale ruimte. Over Peter Sloterdijk en Edwin van der Heide” [Explorations of/in a Musical Space]. Interacta 5 (2002): pp. 208-211.

“Dutch Ensemble Culture.” New Sound 15 (2000): pp. 33-44.

“Met zinnen spelen: verdeel en heers? Over intermedialiteit” [Playing With Sen(ten)ses: Divide and Rule? On Intermediality]. Interacta 2 (2000): pp. 70-91.

Naar een Centrum voor Actuele Muziek in Rotterdam. Idealisme versus pragmatisme” [Towards A Center For Contemporary Music In Rotterdam. Idealism vs. Pragmatics]. Centrum voor Filosofie en Kunst (1999).

Rereading Howard Becker’s Art Worlds. Unpublished text (1998).

“Dionysos’ dans in Blauwbaards Burcht” [Dionysus’ Dance In Bluebeard’s Castle]. Jonas 3 (1996): pp. 16-17.

Een intellectueel Disneyland. Postmodernisme als kritisch pluralisme” [An Intellectual Disneyland. Postmodernism as Critical Pluralism]. Mens en Melodie (June 1996): pp. 284-288.

De terreur van het oog” [The Terror of the Eye]. De Groene Amsterdammer (January 1996): pp. 18-19.

“Habermas als Scheidsrechter van de postmoderne muziek” [Habermas As the Arbiter of Postmodern Music]. Mens en Melodie (January 1996): pp. 18-23.

“Deconstructie in hedendaagse muziek” [Deconstruction In Contemporary Music]. Rumor Reader 3 (1994).

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