In my work on musical improvisation I emphasize and concentrate on all kinds of interaction: interaction between a musician and her instrument, between instrument and technology and/or the space (acoustics), between a musician and her musical/cultural/social background, and of course visual and aural interactions among musicians on stage. Concerning the latter, thorough research is being done at the Max Planck Institute. Read more here about the research group Music Cognition and Action.

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