Archives for category: Blog Posts

Recently published in The Journal of Sonic Studies: my review of Karen Bakker’s wonderful book The Sounds of Life.

Yesterday, September 17 2023, finally, the official launch of my soundwalk “Leiden (Un)Heard,” developed together with Sharon Stewart, Michiel Huijsman, and Caeso. “Leiden (Un)Heard” contains underwater sounds, sounds of electromagnetic fields, sounds as heard by mice, sounds from the past, sounds from underground, and many more.

More info can be found here: https://soundtrackcity.nl/leiden-unheard/ (in English) or https://soundtrackcity.nl/ongehoord-leiden/ (in Dutch)

What is the relationship between society and music? Everyone will agree that a society’s economic, social, technological, and political situation, as well as its norms and values affect which music can be listened to, and how, where and when music is produced, distributed, and experienced. However, the fact that music depends on technological, economic, and social developments does not mean that it is simply and solely a causal effect of these developments. Music plays an active and dynamic role in the formation of a society. Each society is constituted by and through many different practices, and music is one of them. Through music we get certain experiences – Bach’s Matthew Passion might evoke religious or spiritual feelings. Music gives us access to specific emotions, from sad to pleasant ones. It influences our behavior – think of how deejays can make us dance. It can express and distribute certain ideas – ideas about politics, gender, sexuality, religion, etc. Music can create communities but also destroy them; it demarcates spaces and creates specific atmospheres. The list can easily be expanded.
Taking the idea that music co-creates our society as a point of departure, I will investigate in my presentation what this means for professional music education. What roles can conservatory alumni play in our contemporary, everyday lives? Is it necessary to rethink and perhaps expand those roles? And how can artistic research be helpful here? What new perspectives can be developed so that music will be regarded (again) as crucial to our well-being, as indispensable for a reorientation on our civilization? Yes, this is going to be a lecture that can make a difference!

After reports on the Hofplein square, the new ecological city park Hofbogen, and the Rijnhaven area, find here the fourth report I have composed for the City of Rotterdam. It consists of several recommendations to protect and/or improve the sonic quality of this part of the city. Besides the already beautiful sonic atmosphere of the Brienenoord Parc, the report concentrates on sonic ecologies in and around the future residential area of Feijenoord City.

The report (in Dutch) – which also contains audio files – can be found here

Last week I’ve recorded a podcast together with Francesco Aletta, Tin Oberman and Andrew Mitchell in London based on my latest book Engaging With Everyday Sounds. Will be broadcast soon.

See the ad for this position (0.2 fte) at Leiden U here. You should apply before March 1!!!!

On 27 and 28 February 2023, the first Sound Arguments session will take place in Studio Loos in The Hague. Sound Arguments is an initiative of Jonathan Impett, Magno Caliman (both working at the Orpheus Institute in Ghent) and myself.

Sound Arguments will bring together sound artists, sound studies scholars, organizers, PhD students working on/in/through sound, etc. Next to lectures and presenting own work, there’s room for workshops.

Our first guest will be the marvelous Argentinian composer-musician Cecilia Arditto; she will give a lecture on notation, perform her cycle Musique concrete and organize a workshop on composing with everyday (sounding) objects. See also here.

For more information on Sound Arguments, please click here

Aviation noise, especially in a densely populated country like The Netherlands, has become a serious problem for many citizens over the past 5 decades or so. On 21 February 2021, the National Institute for Public Health and the Environment has published a new report in which it says that more and more people are suffering from aviation noise, even though there’s no significant increase of the amount of dBs. The Institute concludes that their current research methodology might fall short as they cannot take into account “non-acoustic factors.” Well, besides those important non-acoustic factors, other acoustic factors besides dBs can also be relevant to take into account. See my reactions on the report in the Dutch daily Algemeen Dagblad and the news site of RTL Nieuws.

As you may know, since a couple of years I’m asked by the City of Rotterdam to investigate how its citizens experience the sonic quality of Rotterdam and to suggest some recommendations as how to improve the sonic public environment. After reports on the Hofplein square and the new ecological city park Hofbogen, this new report is on the Rijnhaven area where several residential towers will arise, next to a city park with a beach area and catering facilities.

The report can be found here

On December 6, 2021 I hosted a special event in Studio Loos in The Hague (the Netherlands) on Sonic Materialism. Featuring the American trombone player, theoretician, and instrument builder Kevin Fairbairn, the Welsh composer and improviser Richard Barrett, and the Argentinian sound artist and composer Gabriel Paiuk, the event was comprised of 3 lecture-performances (and a brief introduction by me), exploring how Sonic Materialism can sound, how sound as sound can contribute to a more theoretical discourse on (New) Materialism.

A registration of this event can be found here