Today, I found this book on my doormat: New Paradigms for Music Research: Art, Society and Technology, edited by Adolf Murillo, Ines Monreal, Jesus Tejada and David Carabias and issued by the University of Valencia (Spain). Contributors are participants to the first International Conference on the Intersection of Art, Society and Technology in Musical Innovation in 2021, organized by the same university.
My contribution consists of a text on soundwalking, mostly concentrating on my development of a soundwalk in Leiden, the Netherlands in 2021. My claim is that this art form takes in fact place between art and non-art and as such has both artistic and societal significance.
